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Buy Nady Systems SRM-14X 14-Channel Mixer - Musical Instruments and Equipment For Sale
Buy Nady Systems SRM-14X 14-Channel Mixer - Musical Instruments and Equipment For Sale
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Nady Systems SRM-14X 14-Channel Mixer

Analog Mixers / More NADY Products 		List Price:
$349.99
Over 23% Off!
$269.99
Nady Systems SRM-14X 14-Channel Mixer
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Nady Systems SRM-14X 14-Channel Mixer

A compact desk console, this high quality unit is perfect for home and project studios, live club main and monitor mixing, video post-production studios, remote broadcasting -- in fact, anywhere superior performance, rugged reliability and ultra-versatility are needed in an audio mixer. Ultra-low-noise mic preamps. Wide dynamic range with superior headroom.
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Nady Systems SRM-14X 14-Channel Mixer

 The Nady SRM-14X is a 14 channel non-powered mixer for recording, and public address systems. The 14 input channels are broken down into: 6 mono XLR-1/4" Tip Ring Sleeve inputs, and Four Stereo 1/4" TRS inputs. The Tip Ring Sleeve inputs can also accept -10db line Level sources. They all have 60mm faders.

The six mono input channels have a INSERT which uses the Tip Ring Sleeve cable type to send the signal to a digital effect processors input while the Return will accept the output of the processor. You can insert a compessor or any other effect. The INSERT happens before the fader (PRE-FADER) but you can use the channel attenuator to match levels.

The SRM-14X also includes two Aux Sends that can be used for monitoring or for global effects. You can set up the both Aux Sends to be used to send a channels audio signal to a stereo digital effects processor (reverb). Then return the output of the processor back into the Aux Return. You can control the return amount via knobs on the front panel of the mixer.

There is a 3 band (Treble, Mid, Bass) graphic eq on each channel. The 6 mono channels have a phantom power (global on or off for all channels) and a switchable Low Cut filter that is set at 75Hz with a rolloff of 18 dB/octave. Also there is a Pan knob on the mono channels and a balence control on the stereo channels. Not to forget the PFL (Fre Fader Listen) switch on each input channel. The SRM-14X has both balanced XLR and 1/4" TRS stereo outputs.

There are also separate Master Mix, Control Room and Headphone outputs as well as a tape in/out so you can record directly to a tape machine. The stereo 10-segment LED meters so you know how loud you are. Each input also has a single LED peak style meter. An external AC power supply is included.
Features:

  • Six mono input channels with balanced XLR Mic and ¼” TRS line inputs
  • Eight stereo input channels with balanced ¼” TRS jacks for balanced or unbalanced inputs
  • Six ¼” TRS inserts allow independent connection of effects devices for each mono channel
  • Dimensions and weight: 13.5” x 13.5” x 3” (343 x 343 x 76 mm), 9.3 lbs (4.2 kg)
  • Ultra low-noise mic preamps
  • Wide dynamic range with superior headroom
  • Separate Master Mix, Control Room and Headphone outputs
  • 3-band EQ on all channels
  • Mic and Line balanced inputs for optimum audio integrity
  • Tape In and Record Out RCA jacks with Tape inputs assignable to Master Mix or stereo Control Room/Headphone outputs
  • Switchable global +48V phantom power on all mono inputs
  • Input Trim control on each mono channel
  • Pan pots on each mono channel and Balance pots on each stereo input
  • Pre and post-fader Aux Sends for external effects and monitoring
  • Two multifunction stereo Aux Returns with Aux Return controls
  • Switchable Low-Cut filters (18 dB/octave @ 75 Hz) on mono channels
  • PFL (Pre-Fader Listen) function on all channels
  • 60mm faders on all channels and Master Mix for precise level control
  • ¼” TRS and XLR Stereo Outputs
  • Peak LEDs on input channels
  • Dual 10-segment LED display bar graph meters
  • High-quality sealed pots with center detents
  • High-strength steel casing and superior construction with highest quality components for longest life and maximum reliability
  • External AC supply for optimum signal integrity and superior transient response


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